Related work

The identification and modelling of a percussion ‘language’
James Kippen & Bernard Bel Computers and the Humanities (1989), 23, 3: 119-214 Abstract In exper­i­men­tal research into per­cus­sion ‘lan­guages', …
Bol Processor grammars
James Kippen & Bernard Bel In Mira Balaban, Otto Laske et Kemal Ebcioglu (eds.) Understanding Music with AI, American Association …
Modelling improvisatory and compositional processes
James Kippen & Bernard Bel In Denise Penrose & Ray Lauzanna (eds.) Languages of Design, 1 (1992). Elsevier Science Publishers, …
Can a computer help resolve the problem of ethnographic description?
James Kippen & Bernard Bel Anthropological Quarterly (1989), 62, 3: 131-144 Abstract A major prob­lem in ethno­graph­ic descrip­tion may be …
Migrating Musical Concepts - an overview of the Bol Processor
Bernard Bel Computer Music Journal (1998), Vol. 22, 2: 56-64 Abstract The Bol Processor is the out­come of a migra­to­ry …
Inférence de langages réguliers
Bernard Bel Journées Françaises de l'Apprentissage (1990), Lannion, France : 5-27 Résumé Cet exposé présente une méth­ode générale d'acquisition de …
Acquisition et représentation de connaissances en musique
Bernard Bel Knowledge acqui­si­tion and rep­re­sen­ta­tion in music Thèse de doc­tor­at en sci­ences. Université de droit, d'économie et des sci­ences …
A flexible environment for music composition in non-European contexts
Bernard Bel Journées d'Informatique Musicale 1996, Caen (France) Abstract Most com­put­er music envi­ron­ments priv­i­lege music rep­re­sen­ta­tions derived from west­ern com­mon …
Loading...

Leave a Reply

Your email address will not be published. Required fields are marked *